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Post by sgev1977 on Sept 18, 2017 0:14:02 GMT
Thanks! Nice article. I think Kirk Douglas said during his early roles he kind of took his characters to home until he understood it caused him problems with his family.
Not taking it to home but I remember BC said he totally lost control during the last scene in TIG. Other would call it going Method, in a simplistic way, but for him was lost control. He kind of suggest something similar in the last paragraphs:
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Post by sgev1977 on Sept 18, 2017 0:54:37 GMT
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Post by roverpup on Sept 18, 2017 2:30:32 GMT
I wonder if that isn't a big hint, in part, about that future project in the works to be done in collaboration with one Sophie Hunter Cumberbatch listed as one of the executive producers?!?
😘
:-))
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Post by onebluestocking on Sept 18, 2017 2:36:21 GMT
Or maybe a reference to the Megan Hunter novel.
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Post by coolclearwaters on Sept 18, 2017 2:37:46 GMT
Or maybe a reference to the Megan Hunter novel. I've wondered if Sophie might direct that.
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Post by roverpup on Sept 18, 2017 2:58:33 GMT
One and the same - that is the project I was talking about. Sophie is on the producers list for The End We Start From, and Megan Hunter is the author of the original material.
:-))
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Post by mllemass on Sept 18, 2017 3:32:52 GMT
How can anyone hate him? I just don't understand it because he's perfect!
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Post by queenzod on Sept 18, 2017 7:49:43 GMT
You got me, Mllemass. He's so kind, generous, modest, funny, thoughtful, and lovely. Yes, apparently he's impatient, has a temper, can be a trifle arrogant, has a tedious sense of fashion when left to his own devices (chambray, anyone?), and tends to be scattered, but those qualities are endearing as well because he tries so hard and cares so much. He's so good to everyone, treats his fans with love and respect, and is agreeable to the thousands of needy people clamoring for his time and attention.
It must be terrible to hate someone like him. Those poor people They are pushing away enrichment with both hands and then complaining that they're starving. Makes no sense.
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Post by sgev1977 on Sept 18, 2017 14:15:08 GMT
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Post by sgev1977 on Sept 18, 2017 15:13:22 GMT
Another article from the same press event but with new quotes and comments: "However, it’s rather more lofty and metaphysical – as you’d expect from any Cumberbatch-McEwan axis – than the burgeoning canon of more visceral TV thrillers (The Missing and Thirteen on the BBC alone) about abducted youngsters. “Despite the depths it plumbs and the emotional trauma at the centre of it, it’s a story about salvation and hope and trying to build a future that accepts and encompasses the loss of that child”, says Cumberbatch with his characteristic flood of articulateness. “It’s almost an examination of childhood and time and what happens in trauma with time but also reflections and how the conscious and sub-conscious can slide… it got quite a lot going for it other than just that horrific, horrific central premise.” ..... It’s a part that is a million miles away from a lot of the stuff that I’ve done… especially the more famous one on telly”, he says, [referring to Sherlock]. “It was a challenge. I was bringing a lot more of myself as I sound and as I move through the world. It felt quite naked at times, and there were moments when I thought ‘am I doing enough?’. “I wanted Stephen to be close to myself, so I brought a lot of my own wardrobe in because I wanted to feel it was me rather than someone else I was putting on every day. It’s not often you get into a role by getting out of a role.” More: inews.co.uk/essentials/benedict-cumberbatch-child-time-becoming-producer-felt-naked-times/
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